Zach Cregger’s horror-thriller Weapons has materialized as one of 2025’s breakout hits. Following the mysterious disappearance of 17 children in a small Pennsylvania suburb, Weapons opened with $42.5 million domestically and $70 million worldwide in its debut weekend. Weapons initially debuted with a 100% Rotten Tomatoes score, now at 95%, earning generally positive reviews from critics and audiences alike.

In an interview with Entertainment Weekly, Cregger explained one of Weapon‘s eeriest visuals: the children’s rigid, arms-extended, running posture. He revealed that “From the first moment, I was like, ‘And they run like that’,” before citing a possible subconscious inspiration from “The Terror of War” pH๏τograph from the Vietnam War. Check out Cregger’s full explanation below:

There’s that terrible pH๏τo of that girl in Vietnam with the napalm burn. I think that image is so awful, and the way she’s holding her arms out just killed me. I think there’s something really upsetting about that posture. If I had to guess, that might be where the seed is from. I don’t know. But there was no second-guessing that pose. I knew that they would run that way.

Cregger also pointed out an unintentional connection between the film’s тιтle and the children’s running style, stating: “My wife told me her friend called and was like, ‘Do you know the etymology of that word means ‘small arms’?” The Weapons director stated it was “crazy“ before seemingly expressing excitement for other things people might find watching and analyzing the film.

What Zach Cregger’s Explanation Means For Weapons

Weapons is full of unsolved mysteries, with Cregger creating an eerie and confusing world in this horror. As a result, the children’s unnatural stance is just one of the things that never really gets explained in the film. However, the image instantly communicates something wrong, creating a lasting visual imprint on the audience, which adds to Weapons’ atmosphere.

That being said, Cregger’s possible subconscious influence from the famous “The Terror of War” makes sense. By tying the children’s running pose to a harrowing and iconic historical image, Cregger enriches Weapons’ subtext with themes of trauma, helplessness, and loss. However, the lack of a full explanation also invites endless speculation, with many theorizing about what’s really going on in Weapons.

Our Take On Zach Cregger’s Explanation

Cregger’s choice to lean into ambiguity is brilliant. For Weapons, the running posture was initially just a stylistic flourish, but has transformed into a metaphor of historical trauma and a deeper message about the film’s тιтle, all through the audience’s reactions to Weapons. The director only has to invoke open-ended mysteries, which allows others to interpret them as they want to.

Furthermore, the ambiguity preserves the image’s sheer dread. Instead of explaining it away, Cregger lets the audience figure out a meaning for themselves. The director does a similar thing with the ᴀssault gun floating over the house in Weapons. Consequently, Zach Cregger’s Weapons showcases the effectiveness of visual storytelling in giving audiences more than any verbal explanation ever could.