Christopher Reeve’s worst Superman movie, Superman IV: The Quest for Justice, was doomed from the beginning, and it wasn’t the star’s fault. Despite his flagship status at DC, Superman hasn’t had the best luck when it comes to movies. Superman hasn’t starred in as many films as Batman, and most of them have failed to make the same impact. For example, Superman Returns and Man of Steel struggled to launch a franchise, and projects like Tim Burton’s Superman Lives never got off the ground.

Christopher Reeve has been synonymous with Superman ever since he first wore the cape in 1978. Superman: The Movie was a mᴀssive phenomenon that paved the way for the Golden Age of superhero movies of today, and Superman II followed in its footsteps. Unfortunately, quality dropped drastically in Superman III, which took a comedic route with a convoluted plot. Then, Superman IV: The Quest for Peace forgot everything that made the first two movies so special.

Superman IV: The Quest For Peace Followed An Already Divisive Superman Movie

Superman III Was An Omen That Reeve’s Movies Weren’t Going In The Right Direction

Richard Lester’s Superman III awkwardly juggled drama with slapstick comedy, which made it much less cohesive than Superman: The Movie and Superman II. Richard Pryor’s Gus Gorman tilted the tone toward full-fledged comedy, which clashed Superman’s genuine idenтιтy crisis. Robert Vaughn’s Ross Webster felt like a generic stand-in for Lex Luthor, and the film’s attempt to show Superman turning evil lacked the narrative buildup it needed to be believable.

Even after Superman III dropped its best concepts, it still kept some intriguing ideas. Superman undergoing a personal idenтιтy crisis had real potential. Comic book movies like Sam Raimi’s Spider-Man 2 and James Mangold’s Logan have put a compelling twist on the idea. But instead of focusing on Clark’s inner conflict, Superman III took a superficial and overly literal approach to this theme.

Still, Superman III didn’t tarnish Christopher Reeve’s portrayal. Reeve’s performance remained committed, especially in the scenes where Clark Kent and Superman battle for dominance. However, Superman III marked a turning point. Gone was the mythic tone of Richard Donner’s Superman: The Movie, and it was replaced by a mess of comedic gags and action scenes. While not a complete failure, Superman III‘s divided reception was a warning about the franchise’s future.

Superman IV Struggled With Budget Cuts & Concerns

Superman IV: The Quest For Peace Was Rushed By Cannon

At the time of Superman IV: The Quest for Peace‘s release, Cannon Films was already past its prime. A string of box-office failures like Over the Top, Superman III, and Masters of the Universe gradually increased their losses, which played a key role in the reduction of Superman IV‘s budget to just $17 million. In Christopher Reeve’s autobiography’s “Still Me”, the Superman star explained how Cannon “had nearly thirty projects in the works” simultaneously, which naturally contributed to the problem:

“We were also hampered by budget constraints and cutbacks in all departments. Cannon Films had nearly thirty projects in the works at the time, and Superman IV received no special consideration… Even if the story had been brilliant, I don’t think that we could ever have lived up to the audience’s expectations with this approach.”

Cannon’s model hinged on producing dozens of low-budget films, but their aspiration to scale up into major franchises backfired. Superman IV: The Quest for Peace was largely filmed in England instead of New York, and Cannon sold off the distribution rights ahead of time. Cannon even flirted with Spider-Man’s first big-budget movie, but their repeated cost-cutting only ensured that Superman IV: The Quest for Peace was their last superhero film.

A $17 million budget was far too limited for a film like Superman IV: The Quest for Peace, especially considering its scope. Even in 1987, blockbuster superhero films required significantly more funding to convincingly depict high-concept sci-fi elements like flight sequences and large-scale destruction. By comparison, Superman: The Movie had a $55 million budget nearly a decade earlier.

Superman IV’s Behind-The-Scenes Situations Added Extra Complications To The Movie’s Creation

Superman IV: The Quest For Peace’s Production Was Being ᴀssembled On The Go

In an interview with Fangoria Magazine (via The Digital Fix), Wes Craven confirmed that he departed Superman IV: The Quest for Peace due to creative disagreements with Christopher Reeve. The details of Craven’s departure are unknown, but Craven’s exit suggests the Superman sequel was already struggling to find its footing before it began production. Similarly to Superman III, Superman IV: The Quest for Peace lacked a strong creative vision, which resulted in another weird mix between drama and comedy.

Near the end of Superman IV: The Quest for Peace‘s production, the decision was made to use Gene Hackman’s voice for Nuclear Man, which required actor Mark Pillow to lip-sync to pre-recorded dialogue. On top of Nuclear Man’s absurd costume and characterization, this choice left the character feeling even more detached. In an interview with Yahoo! Movies, Nuclear Man actor Mark Pillow stated that he never knew why his voice was replaced and admitted it led to a “wooden performance”.

Major scenes were cut late in post-production, many of those involving Superman IV: The Quest for Peace‘s prototype Nuclear Man, played by Clive Mantle. An entire sequence featuring the first, Bizarro-like Nuclear Man created in Lex’s lab was cut entirely, and more than half an hour of footage was discarded. According to Pillow, seeing so much footage getting cut made him aware that “things were not quite right” as production progressed.

Superman IV’s Final Story & Effects Didn’t Live Up To Its Predecessors

Superman IV: The Quest For Peace Is The Weakest Installment In The Franchise

Superman IV: The Quest for Peace suffered greatly from its reduced budget and overambitious narrative, especially in visual terms. Visual effects were still costly and difficult to get right in the late 1980s, and Superman IV: The Quest for Peace had neither the time nor the money to meet its own visual demands. Regardless, Superman IV: The Quest for Peace failed to recapture the quality of the first movie’s most basic effects.

The same flaws are present in Superman IV: The Quest for Peace‘s plot. Superman IV‘s story was clearly rushed and doesn’t have a defined vision like Richard Donner’s in Superman: The Movie. Even by the superhero movie standards of the time, many of the events and details in Superman IV: The Quest for Peace don’t make sense within its own context, from Nuclear Man’s seemingly random abilities to Superman’s brutal defeat of Nuclear Man.

Even the most ambitious superhero stories need a unified vision and a high enough budget to work. Older comic book movies like Tim Burton’s Batman and Donner’s Superman: The Movie also lacked the budgets and VFX tech of today, but their high quality is undeniable, and they’re timeless to this day. Likewise, modern superhero movies that go through similar troubled productions, like Warner Bros.’ Suicide Squad and Justice League, suffer very similar problems decades later.