These eerily similar petroglyphs from Japan, Utah, and Azerbaijan throw down the gauntlet on our understanding of ancient civilizations. Nestled in Fugoppe Cave in Japan, scattered throughout Nine Mile Canyon in Utah, and nestled in Gobustan, Azerbaijan, each carving features a winged or flying human figure, a startling sight that begs the question of how three culturally diverse groups, separated by oceans and eons, managed to conceive of such an idea. The timeline adds another layer of intrigue: The Japanese versions are about 7,000 years old, Utah’s range from about 1,000 to 2,000 years old, while Azerbaijan boasts carvings that may be as much as 10,000 years old. Are these mere coincidences, or do they hint at a deep shared mythology that transcends borders? Could it be that these ancient societies possessed a collective consciousness, tapping into a universal belief in winged beings? It’s hard to ignore the implications of such striking parallels: are we overlooking something monumental about humanity’s past?
Fugoppe Cave Petroglyphs
One of the only two archaeological sites in Japan to feature petroglyphs, which some believe to be a long-lost writing system of the gods.
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Along the coastline not far from the city of Otaru lie two archaeological sites featuring petroglyphs, the only two of their kind in all of Japan. One of them is the Temiya Cave, whose rock carvings seem to depict a number of horned humans, possibly a scene from an ancient shamanistic ritual.
The other, situated in the seaside town of Yoichi, is called the Fugoppe Cave and is known for its esoteric depictions of horned and winged figures among hundreds of similar engravings, including boats, marine animals, and fish.
The archaeological site was discovered in 1950 by a 15-year-old boy visiting the area for its beaches. Learning this, his older brother, a member of the local history club at high high school in Sapporo, brought his teacher and friends and found a number of earthenware vessels. It was not long, however, before a team of professional archaeologists came flocking to the site, unearthing the petroglyphs and “stealing kudos from the boys like vultures.”
The Fugoppe Cave petroglyphs have been attributed to the late Epi-Jōmon culture, which flourished in Hokkaido from the 5th to 7th centuries. Since their discoveries, the petroglyphs of Fugoppe and Temiya have long been interpreted as a lost ancient writing system, a variety of the mythic Jindai script—the runic alphabet of the gods. While a majority of no-nonsense academics scoff at this claim, believing the inscriptions to be a depiction of shamanism, the theory nevertheless persists to this day.
Interestingly, ancient petroglyphs were known in the Fugoppe area even before the 1950 discovery. According to some local records, a cave painting with “ancient inscriptions” was unearthed in 1927 during the construction of a railroad, which led to a heated debate among archaeologists. Unfortunately, prominent scholars of the indigenous Ainu culture back then decided that the petroglyphs were contemporary fakes, unrelated to the Ainu. As a result, the site did not receive proper preservation, left to decay and eventually lost.
Rumors of an “ancient Fugoppe writing” continued, however, and it was because he had heard about it from his brother that the boy went looking for ancient ruins on Yoichi’s beaches, leading to the major discovery.
Since 1972, the Fugoppe Cave has been preserved in a large capsule of reinforced glᴀss that doubles as a museum. Though questions continue to surround them, the petroglyphs are today compared to those found in the Russian Far East, believed to be related to the ancient OkH๏τsk culture—which was likely introduced to Hokkaido via Sakhalin.
