How An Alfred Hitchcock Classic “Won” An Oscar 54 Years After Its Release (& It Always Deserved It)

Even though it’s now widely considered one of the greatest movies ever made, Alfred Hitchcock’s psychological thriller Vertigo didn’t win a single Academy Award. That is, until 54 years after its release, when another film won Best Original Score despite lifting a piece of music directly from Vertigo. This strange event served as belated validation for one of Bernard Hermann’s most ingenious musical compositions.

Hermann’s composition “Scene d’Amour” helps make Vertigo’s famous bedroom scene, in which the movie’s protagonist Scottie falls for Kim Novak’s character Judy, one of Hitchcock’s finest cinematic moments. The music’s string-heavy ascending melody underlines the state of romantic hypnosis in which James Stewart’s Scottie finds himself, perfectly complementing the ghostly lighting effects Hitchcock applies to the scene. Hermann’s piece also hints at the tragedy in Vertigo’s ending, as it enacts the sound of Scottie’s desperate obsession with Judy, which eventually leads to disaster.

Best Original Score At The 2012 Oscars Included A Piece From Vertigo

The Artist Used Music From Hitchcock’s Movie To Score Its Climactic Scene

In 2011, Michel Hazanavicius decided that “Scene d’Amour” could enact a similar sentiment in his Oscar-winning film The Artist. The Artist was his love letter to cinema, and he annotated his post-production notes for the movie’s soundtrack with musical placeholders lifted from some of the most celebrated movies of Hollywood’s Golden Age. These placeholders were originally intended as recommendations for the film’s composer Ludovic Bource to use as inspiration while writing an original score for each scene of The Artist, but one particular song was determined to be good for just a placeholder.

Subsequently, the director had The Artist’s producer Thomas Langmann purchase the rights for Vertigo’s “Scene d’Amour,”, so that it could serve as part of his movie’s final soundtrack. Hermann’s composition soundtracks a scene in which The Artist’s protagonist George Valentin is considering suicide while his love interest Peppy Miller races to his house to try and save him. It’s the movie’s climactic moment, demonstrating just how important Vertigo’s score is to the Oscar that Bource won in 2012 for Best Original Score. Ultimately, this Oscar belongs to The Artist, but it’s effectively a victory for Vertigo too.

“Scene D’Amour” Fitting Perfectly Into The Artist Shows The Timeless Brilliance of Bernard Hermann’s Music

His Compositions Remain As Relevant To Cinema Today As When He Wrote Them

Although The Artist is a black-and-white, mostly-silent movie purposely made to look old-fashioned, it was still produced in 2011, utilizing the latest filmmaking technology available at the time. It’s fundamentally a modern approach to a classic Hollywood story, with formal references to movies gone by and a narrative about Hollywood’s silent era, but framed by a present-day understanding of cinema. Hermann’s composition “Scene d’Amour” ought to stand out as an anachronism in the movie, since it was composed for a film released 53 years before The Artist, and three decades after the silent era had ended.

Yet the piece fits perfectly into The Artist, serving the movie better than its own score’s composer apparently could. “Scene d’Amour” imbues two drastically different scenes from completely different cinematic eras with the same emotional force and dramatic tension. This example demonstrates the timeless brilliance of Bernard Hermann, whose best scores elevated such classic movies as Citizen Kane, Psycho, and Taxi Driver to the level of all-time greatness, alongside Vertigo. Hermann himself only won one Oscar, for scoring the film The Devil and Daniel Webster in 1941. But his monumental legacy in film far exceeds this small golden statuette.

Related Posts

Popular MCU Wolverine Casting Choice Addresses Marvel Discussions: “I Did Meet With Kevin Feige”

Popular MCU Wolverine Casting Choice Addresses Marvel Discussions: “I Did Meet With Kevin Feige”

A beloved actor among fans to take over as Wolverine in the Marvel Cinematic Universe has detailed his talks with the studio. Hugh Jackman has become synonymous…

10 Most Essential British Comedy Movies

10 Most Essential British Comedy Movies

British comedies hold a special place in the hearts of many, and distinguish themselves even among countless other beloved comedy movies. While there are plenty of quintessential…

Reboot Of Sylvester Stallone’s 5M Action Movie Teased By New Star, 36: “It’s Feral, It’s Raw”

Reboot Of Sylvester Stallone’s $255M Action Movie Teased By New Star, 36: “It’s Feral, It’s Raw”

Lily James teases that her upcoming movie Cliffhanger is very different from Sylvester Stallone’s original movie she’s remaking. News of the Cliffhanger reboot movie came last year…

Jurᴀssic World Rebirth: 14 Deep-Cut Easter Eggs That Only True Fans Spotted

Jurᴀssic World Rebirth: 14 Deep-Cut Easter Eggs That Only True Fans Spotted

Jurᴀssic World Rebirth features some pretty clever deep cuts to the history of the Jurᴀssic Park franchise and the other films of Steven Spielberg. Directed by Gareth…

Kingsman 3 Hopes Refueled By Eggsy Star As He Brushes Off Director’s Delay Excuse: “Is That What He Said?”

Kingsman 3 Hopes Refueled By Eggsy Star As He Brushes Off Director’s Delay Excuse: “Is That What He Said?”

Kingsman 3 gets a promising new update from Eggsy star Taron Egerton, who brushes off director Matthew Vaughn’s delay excuse. Eggsy first hit the big screen in…

Amazon’s James Bond 26 Can Finally Return 007 To The Genre It Failed With 46 Years Ago

Amazon’s James Bond 26 Can Finally Return 007 To The Genre It Failed With 46 Years Ago

Now that Denis Villeneuve has been hired to direct Bond 26, Amazon has the perfect opportunity to take the movie in a surprising direction. When it was…