Dreamcatcher is Timothy Olyphant’s only Stephen King adaptation to date, and this 2003 blockbuster might rank as one of the author’s strangest movies. Stephen King movies and TV shows were big business throughout the 1980s and 1990s, but they slowed leading into the 21st Century.
The 2000s saw some notable adaptations, such as The Mist or 1408, but most of these movies came and went. 1999 also saw Stephen King barely survive an accident after being struck by a van while out on a walk. The beloved author suffered multiple injuries, including a broken hip and a scalp laceration.
The first Stephen King book that arrived in the aftermath of that accident was 2001’s Dreamcatcher. The writer later recalled to Rolling Stone that he wrote this sci-fi saga in tremendous physical pain, and with the aid of OxyContin. This may account for why Dreamcatcher, despite being filled with great concepts, is overlong and unfocused.
Dreamcatcher Tried To Turn One Of Stephen King’s Wildest Books Into A Blockbuster
Dreamcatcher involves four friends who developed psychic abilities after befriending a boy with disabilities in their childhoods. As adults, they reunite for a special hunting trip in snowy Maine – only for an alien invasion to spoil the fun.
The (somewhat) underrated Dreamcatcher feels like a potpourri of other King tales, including The Body (AKA Stand by Me), IT and The Tommyknockers. It’s a novel that includes alien snakes made of human waste (appropriately dubbed “s*** weasels“) and a main character who hides inside his own memory palace when possessed by an alien.
It’s a weird, unwieldy book that is too long by at least 200 pages, so it made an unlikely candidate for a potential blockbuster. That’s why Warner Bros did with Dreamcatcher regardless, giving it a $70 million budget and a cast that included Morgan Freeman, Damian Lewis, Donnie Wahlberg and Timothy Olyphant.
Despite trying to blend heartfelt drama with blockbuster thrills, Dreamcatcher never overcame the core issues with the novel itself. The narrative hops around too much, the “scary” moments are overblown, and the ending is simply laughable.
Dreamcatcher’s Failure Sent Its Director To Movie Jail
There wasn’t much buzz for Dreamcatcher when it arrived in March 2003, with the film grossing $75 million (or $141 million, when adjusted for inflation). Since it cost about $70 million to produce, this made it a clear financial dud, while its 27% score on Rotten Tomatoes underlines its frosty reception.
The movie was written and helmed by Lawrence Kasdan, screenwriter of The Empire Strikes Back and Raiders of the Lost Ark and director of The Big Chill and 1994’s Wyatt Earp. Kasdan later confessed to LA Weekly that Dreamcatcher bombing so badly essentially sent him to director’s jail.
A film he was planning with Tom Hanks went away in the aftermath, while other projects he developed failed to move forward. Kasdan has only directed one movie since Dreamcatcher (2012’s Darling Companion), though he’s written some notable movies like Star Wars: The Force Awakens.
Dreamcatcher Tried To Bolster Its Box Office With A Matrix Tie-In
Perhaps sensing Dreamcatcher needed a boost with audiences, Warner Bros added the animated short Final Flight of the Osiris to screenings of the movie. This is an anime prequel to The Matrix Reloaded, which details the ill-fated final mission of the тιтular ship after it happens upon the machines drilling down to Zion.
Reloaded and Revolutions both arrived in 2003, with anticipation for the sequels being sky high at the time. Final Flight of the Osiris was part of The Animatrix anthology, which consisted of nine anime shorts set inside the world of The Matrix.
Some of these tales tied directly into the live-action sequels, while others explored different facets of the world. Final Flight of the Osiris may have drawn some curious fans to Dreamcatcher, but it didn’t ultimately boost the movie’s box office by much.
Timothy Olyphant & Stephen King Have Been Honest About Dreamcatcher
King has a tricky relationship with some of his books, like The Tommyknockers. This was another alien invasion story that the author penned at the height of his drug and alcohol addictions. While King believes there might be a good novel buried inside its lengthy word count, he’s dubbed it an “awful book.”
King isn’t fond of Dreamcatcher for similar reasons, since much of it was penned in a painkiller induced haze. His injuries made it agonizing to sit at a desk and work on a computer, so the bulk of it was penned by hand.
So I wrote the whole thing longhand. And I was pretty stoned when I wrote it, because of the Oxy, and that’s another book that shows the drugs at work.
While certainly not one of his best works, it’s to King’s credit that Dreamcatcher is still a fun read. It’s baggy and sloppy, but it still features some great characters and horror pᴀssages. Still, it’s not one of King’s favorites, and while he was initially positive on the movie adaptation, that changed over time.
In later interviews, King labeled Dreamcatcher a “train wreck” and appeared to agree with the film’s critical consensus. For what it’s worth, Timothy Olyphant is kind of great in the movie, playing an alcoholic desperately trying to convince others that he isn’t. He also gets to wrestle a s*** weasel, which bites him in a very bad place.
Olyphant briefly recounted his time on Dreamcatcher during an appearance on Conan O’Brien Needs a Friend in 2025. While admitting he had a great time making the 2003 sci-fi horror flick, he had no illusions about its quality.
God, that was a fun set and a great experience. But yeah, the movie didn’t work.
Dreamcatcher was one of several big movies for Timothy Olyphant from the early 2000s that didn’t click, including A Man Apart, though thankfully, he had ᴅᴇᴀᴅwood coming around the corner. Hopefully, Olyphant will give the world of Stephen King another try someday – preferably as Roland Deschain in a Dark Tower adaptation.
Source: Rolling Stone, Box Office Mojo, LA Weekly, Conan O’Brien Needs a Friend