Sam Elliott has built a very interesting career, but one of his movies from 2018 might be too weird for most of his fans to watch. The best Sam Elliott movies run the gamut from action (Road House) and Westerns (Tombstone) to quirky indies (The Big Lebowski) and historical epics (Gettysburg). Along the way, he has become a major star.

In 2018, Sam Elliott starred in a movie unlike anything he had done before. Elliott had a lot of work to do to carry this eclectic and strange Bigfoot movie. While it ended up mainly receiving positive reviews, it also remains one of the actor’s hardest films to watch, especially for those going in blind.

Sam Elliott’s The Man Who Killed Hitler And Then The Bigfoot Is A Very Odd Movie

The Man Who Killed Hitler and Then the Bigfoot is one of the strangest movies that Sam Elliott has ever appeared in. Elliott stars as Calvin Barr, an older man who lives in his hometown with his dog. He then reminisces about his past through flashbacks of him in World War II (played by Aidan Turner).

The film has a melancholy feeling to it, as Calvin should have been a national hero because he successfully infiltrated Nazi Germany and ᴀssᴀssinated Adolf Hitler. However, it was kept confidential, and Germany used a body double to hide the fact, leaving Calvin feeling unfulfilled in his life.

The movie is split between the past and the present, where Calvin has one more big adventure. The government knows what he did, and they come to him for help when Bigfoot begins spreading a disease killing humans and animals, and they need him to kill the mythical monster.

When Calvin goes out to kill Bigfoot, the movie takes a left turn, and it ends up paying off the тιтle in a bizarre way. While critics loved the film (75% on Rotten Tomatoes), the audience score was a lower 51%. Most dissenters disliked the Bigfoot twist and how the movie went off the deep end at that point.

Sam Elliott Is By Far The Best Part Of The Man Who Killed Hitler And Then The Bigfoot

While The Man Who Killed Hitler and Then the Bigfoot is an acquired taste, to say the least, Sam Elliott is what carries it to a much higher level than the story might sound. The movie’s тιтle sounds like a B-grade DTV movie, but Elliott infuses his character with so much pᴀssion and emotion that it elevates the film.

This is not so much a B-grade monster movie as it is a character study of a man who should have been great, but ended up a footnote in American history. The Bigfoot part is also crucial, since it allows Calvin to get the recognition he deserves, at least in his own mind, because he finally did something that mattered.

The small moments with Calvin in town, going about his day, reveal how he lived through extraordinary experiences, and yet he feels unfulfilled. Sam Elliot’s acting is perfect for this role, and he makes the viewer care about him, making the ending a poignant and happy moment, since this great man finally got his time to shine.