Mission: Impossible – The Final Reckoning will supposedly mark the last time Tom Cruise and Christopher McQuarrie team up for this long-running action franchise, but it certainly won’t be their final collaboration altogether. They have worked together multiple times over the past few years, with McQuarrie writing the script for Top Gun: Maverick and directing Cruise in Jack Reacher. Although McQuarrie has offered some updates on Top Gun 3 in recent months, there’s another upcoming project that some audiences are even more excited about.
McQuarrie has made some great movies throughout his career, and most of those highlights have been in collaboration with Cruise. Whether it’s the Mission: Impossible franchise or his work on Top Gun: Maverick, the filmmaker clearly knows how to get an audience engaged with a story. That’s exactly why the pair’s upcoming projects are so exciting; not just because they’ve got the portfolio to prove how talented they are, but because they’re constantly pushing the boundaries of filmmaking forward. McQuarrie has recently spoken about his upcoming movie Broadsword, which seems full of potential for more movie magic.
Tom Cruise Is Attached To Christopher McQuarrie’s New Script
And It Will Continue To Explore A Mutual Interest
McQuarrie has said in his own words that audiences should take any rumors about Broadsword with a pinch of salt, but one of the few details that he’s recently confirmed is that Cruise is currently attached to star in the lead role. It was previously rumored that Henry Cavill was going to be involved, but the director has seemingly debunked that on the Happy Sad Confused podcast, saying: “don’t believe anything you read about any of that stuff.”
Broadsword will reportedly take place in France during World War II, following Cruise’s protagonist as an American pilot who crashes in enemy territory and must team up with a local girl to reach safety. Though McQuarrie has been careful to reveal as little as possible about the project, he recently confirmed that he wanted to make this movie before The Final Reckoning, but decided to wrap things up with that franchise first.
The filmmaker described himself as “excited to take everything I’ve learned from [Mission: Impossible], unburdened by everything I had to put into [it].” McQuarrie has spoken about what makes a great Mission: Impossible movie at length, expressing his belief that exposition is a huge part of this genre, and that spy movies can’t really exist without it.
He’s already confirmed that he’s going to cut down the dialogue and exposition hugely in Broadsword, revealing that Cruise’s character has “fewer than 500 lines in the whole movie.”
That’s why it’s so exciting to see him branch out into different genres, potentially trying out new things and stepping away from the Mission: Impossible formula. He’s already confirmed that he’s going to cut down the dialogue and exposition hugely in Broadsword, revealing that Cruise’s character has “fewer than 500 lines in the whole movie.”
An (Almost) Dialogue-Free Movie Is The Perfect Follow-Up To The Final Reckoning
It Carries Forward The New Mission: Impossible’s Best Scenes
Although The Final Reckoning received mixed reviews because of its heavy exposition, the film also had plenty of very quiet scenes where the subtle character work is really given a chance to shine. McQuarrie clearly understands this, admitting that “if you look at Mission: Impossible, most of the dialogue is exposition […] what I’m most proud of in this movie is the scenes that aren’t exposition.” The director goes on to explain that this doesn’t just mean large set pieces like the submarine heist. It’s also the quieter moments where emotions are communicated with quiet glances and expressions.
Although there’s plenty to love about The Final Reckoning, it seems fair to say that it’s the right time for McQuarrie to step back from this long-running series and display his screenwriting talents in a new way.
This is exactly what McQuarrie seems to be leaning into with Broadsword, and that’s hugely exciting. The director recognizes that his “relationship with dialogue has evolved 180 degrees from where I began,” with Broadsword hopefully marking a huge stylistic departure from his work on Mission: Impossible. Although there’s plenty to love about The Final Reckoning, it seems fair to say that it’s the right time for the filmmaker to step back from this long-running series and display his screenwriting talents in a new way.
Source: Happy Sad Confused
