Most high school movies from the 1980s might’ve been the go-to for teen comedy back in the day, but a lot of them don’t hold up today. Even though some of these flicks are still tossed around as the best high school movies of all time and even the best movies of the ’80s, they’ve got some serious issues when viewed through a modern lens. This includes casual Sєxism, misogyny, and even jokes about Sєxual harᴀssment,

Unfortunately, the films in question tend to glorify the idea that boys can do whatever they want without consequences while objectifying and disrespecting women at every turn. The inappropriate pranks, reckless behavior, and creepy crushes might have been used as comic relief decades ago, but now they just come off as red flags.

10

The Breakfast Club (1985)

Directed by John Hughes

The Breakfast Club remains one of the most influential movies from the 1980s, but, despite its cult classic status, the John Hughes тιтle doesn’t quite hold up today. While it’s a film that tries to show how teens are all the same, no matter their social status, when watched today, its problems are more than obvious.

From enforcing gender and social stereotypes to the dated humor and language, several things about The Breakfast Club haven’t aged well. The lack of diversity throughout is painfully clear, while the existing characters throw around insults that we’d now recognize as bullying. Sure, they’re supposed to be “teenagers being teenagers,” but when seeing it today, it feels tone-deaf and uncomfortable. The Breakfast Club will always be a cultural touchstone, no doubt, but it might be an awkward watch for first-time viewers.

9

​​Sixteen Candles (1984)

Directed by John Hughes

At first glance, Sixteen Candles seems like a sweet, quirky ’80s teen movie about growing up, crushes, and family chaos. But upon closer inspection, one starts to realize that a lot of the ideas, humor, and characters are pretty problematic in the world we know today. Granted, the 1984 тιтle is a product of its time to the full extent and should be observed as such, but some moments were arguably too much, even for the 1980s.

Most notably, one of the characters, Caroline (played by Haviland Morris), gets Sєxually ᴀssaulted when drunk and unconscious. Ted (Anthony Michael Hall), the geeky perpetrator, is somehow made out to be charming, and the whole thing is brushed off without any real consequences. While Sixteen Candles made quite an impact when it came out, it’s far from sending out a positive message by today’s standards.

8

Can’t Buy Me Love (1987)

Directed by Steve Rash

Can’t Buy Me Love is arguably a great nostalgic watch with an innocent-feeling premise, but the movie has its fair share of problems. The 1987 тιтle follows a nerdy guy, Ronald (Patrick Dempsey), who pays a popular girl, Cindy (Amanda Peterson), to pretend to be his girlfriend so he can fit in.

It’s obvious that filmmakers were interested in the concept of buying love at the time, as just a few years after Can’t Buy Me Love debuted, Pretty Woman came out. However, the former is set in a high school environment, making it quite questionable in today’s day and age. In addition to its problematic core, the movie promotes the idea that the “nerd” can only get the girl when he basically undergoes a complete transformation. So, in that context, perhaps it’s better that Can’t Buy Me Love is one of those 1980s comedies barely anyone remembers.

7

Fast Times At Ridgemont High (1982)

Directed by Amy Heckerling

While it’s part of the weirdly funny teen movies perfect for a movie marathon club, Fast Times at Ridgemont High is objectively not a тιтle that holds up well today. As a classic 1980s teen film, full of awkward high school moments, romance, and a lot of Sєx and partying, it’s no surprise that it features a lot of behaviors and atтιтudes that can come across as rather outdated.

One of the most glaring issues in Fast Times is how it treats its female characters. The movie is full of pᴀssing instances where women are either Sєxualized or reduced to stereotypes, as well as judged by their looks and Sєxual experiences. Despite being ahead of its time in terms of tackling coming-of-age moments and teen Sєxuality, the film’s casual Sєxism and archaic take on consent and relationships make it hard to digest in a more modern time.

6

License To Drive (1988)

Directed by Greg Beeman

For many, License to Drive stands out as one of the best teen movies of the 1980s, and for good reason. It’s a goofy comedy that brings a wave of nostalgia when watched today, but with a fresh set of eyes, the story feels somewhat out of touch with a lot of modern sensibilities.

The plot centers around Les (played by Corey Haim), who lies about getting his driver’s license and ends up getting into a wild night of trouble. No lasting consequences aside (because it is a teen flick after all), the gender stereotypes and the “nice guy” mentality are enough to make anybody question License to Drive’s relevance in today’s world. Even though consent and genuine connection are oftentimes not at the forefront even today, it’s hard to get behind a movie that pushes such values, especially when aimed at teens.

5

Revenge of the Nerds (1984)

Directed by Jeff Kanew

Revenge of the Nerds may have been celebrated for its rebellious spirit and underdog charm back in the day, but now, it’s one of those cult classic movies from the ’80s that have aged poorly, to put it mildly. It’s about a group of socially awkward misfits (the “nerds”) who stand up to the cool guys. While the stereotypical teen setup has its flaws, the bigger problem is the film’s outdated take on consent, privacy, and gender roles.

The movie’s use of Sєxual ᴀssault as humor, spying on and harᴀssing women, and mocking the LGBTQ+ community are just a few of its glaring problems. The behaviors Revenge of the Nerds glorifies aren’t just inappropriate but are flat-out harmful. While it holds a special place in ’80s nostalgia, Revenge serves as a reminder of how far we’ve come in understanding respect, boundaries, and representation.

4

The Last American Virgin (1982)

Directed by Boaz Davidson

Boys chasing girls, crude humor, and lots of over-the-top antics about losing virginity; on the surface, The Last American Virgin is clearly a typical ’80s teen comedy. While the 1982 тιтle tries to be both a racy comedy and a heartbreaking romance, its outdated tropes and toxic relationship dynamics, unfortunately, overshadow any emotional depth.

The story follows Gary (Lawrence Monoson), an awkward teen hopelessly in love with Karen (Diane Franklin). Even after standing by her through serious drama and trauma, Gary doesn’t win her heart. Unlike most films of its kind, The Last American Virgin takes an unexpected turn, earning its rightful place among comedy movies with final scenes that totally ruin the mood. Still, being a nice person does not mean the one you’re interested in owes you anything, and that’s precisely what this relic of its time got wrong.

3

Porky’s (1981)

Directed by Bob Clarke

Porky’s is a raunchy ’80s comedy about a group of high school boys trying to lose their virginity while running into a number of questionable situations. It’s filled with over-the-top pranks, Sєxual humor, and the kind of outrageous antics you’d expect from a teen comedy of this particular time. However, it’s also those elements that make this early 1980s тιтle so unacceptable by today’s standards.

One of the most blatant issues with Porky’s is how it treats Sєxual harᴀssment. In one scene, the boys pull a prank that involves spying on the girls in the locker room and secretly recording them. While nowadays, we don’t even have to explain why that’s wrong, back then, it was framed as a harmless joke. The “boys will be boys” mentality is so out of touch today that it’s difficult to take Porky’s seriously, especially if one has never seen it before.

2

Zapped! (1982)

Directed by Robert J. Rosenthal

As yet another quintessential teen comedy from the 1980s, Zapped! features the nerdy guy, the high school crush, and some outrageous hijinks. Even though the movie’s premise, which is about a high school student who gains telekinetic powers, could still make an impact even today, the 1982 story quickly veered into uncomfortable territory.

As the main character, Scott (Barney Springboro), starts using his new abilities for his personal benefit, particularly to spy on and manipulate women, a lot of the laughs in Zapped! feel more like red flags than awkward humor. From the invasion of privacy to the casual objectification of women, this male-driven story is arguably too reliant on toxic masculinity and the “nice guy” enтιтlement. While some may still enjoy it for its ’80s nostalgia, Zapped! has become uncomfortable rather than amusing for most.

1

Private School (1983)

Directed by Noel Black

Even the trailer for Private School could raise some serious red flags today, let alone the entire movie. While it may have appealed to audiences in the early 1980s, many of the jokes in the film were questionable even then. The film has a lot of the elements of a classic ’80s teen flick, including laughs, pranks, and coming-of-age moments, yet they have been delivered in a way that’s oddly inappropriate for its targeted audience.

Like most of its kind, Private School unfortunately treats women as objects and has no shame while doing so. For example, a key running gag involves the boys trying to spy on the girls in the locker room to grab their attention. Additionally, the entire plot centers around the boys’ perceptions of women, which is arguably a harmful message to send out in any era, making it no surprise Private School doesn’t hold up today.